(E) It may be fun to imagine what would have happened if the film’s original director, Ernst Lubitsch, stayed on, but McCarey does a more than admirable job. Yet even he admits he felt overwhelmed by them. With Laurel and Hardy already under his belt, and the screwball comedy The Awful Truth (1937) on the horizon, McCarey was at the prime of his career to attempt the Marx Brothers. And who better to organize this controlled chaos than director Leo McCarey?īetween 1926-1929, McCarey served as Laurel and Hardy’s “supervisor.” He says that meant “writing the story, cutting it, stringing the gags together, coordinating everything, screening the rushes, working on the editing, sending out the prints, working on the second editing when the preview reactions weren’t good enough and even, from time to time, shooting sequences over again.” (E) While some of the visuals appear dated, they are nonetheless ambitious. The final war sequence is absolute frenzy with Groucho wearing five different uniforms as he dodges explosions and heat-seeking missiles through the window, Harpo’s hat spinning around from machine-gun fire, and a priceless “help is on the way” montage, where the cavalry arrives in the form of fire engines, motorcycle cops, marathon runners, rowers, swimmers, baboons, elephants and dolphins. is the sense that anything can happen at any time, whether it’s Harpo rising out of a bathtub, or a doghouse tattoo turning into a real barking dog. Teasdale’s home to steal Freedonia’s war plans, only for Firefly to catch them red-handed. Trentino sends two spies, Pinky (Harpo Marx) and Chicolini (Chico Marx), to gather intelligence on Firefly. But take over he does, while his assistant, Bob Roland (Zeppo Marx), warns about the suspicious motives of Sylvanian ambassador Trentino (Louis Calhern), who’s secretly trying to take over Freedonia by marrying Mrs. Freedonia is on the brink of war with neighboring Sylvania. Of course, it isn’t exactly the best time for Firefly to take over. The nation faces grave bankruptcy and can only be saved by the contribution of wealthy widow Gloria Teasdale (Margaret Dumont), who insists the current prime minister step down in favor of Rufus T. The film takes place in the fictional country of Freedonia, a miniscule place barely seen on a map.
But of all the films they made, none was more influential or more hilarious than their 1933 flop Duck Soup, their last at Paramount, and last with Zeppo, a film grossly under-appreciated in its day, but quite simply one of the finest comedies ever made. In all, the siblings made 16 pictures together through 1957, and as the wisecracking standout, Groucho enjoyed a solo career that stretched into the ’60s. “By the time the Marx Brothers were on film, they were doing routines that they had perfected on stage for years and years on the vaudeville circuit, so they really knew what they were doing,” writer/director Andrew Bergman says.
Yes, they were all actual brothers, and yes, there were as many as five: Groucho, Harpo, Chico, Zeppo and Gummo, though the lattermost left the act before the group started making films in 1926.
Yet the very mention of the phrase “Marx Brothers” has become cultural shorthand for comic genius and a reminder that good comedy never stales. Their careers began over a century ago, as a family vaudeville act in New York.
Writers: Bert Kalmar, Harry Ruby (screenplay)Ĭast: Groucho Marx, Harpo Marx, Chico Marx, Zeppo Marx, Margaret Dumont, Raquel Torres, Louis Calhern, Edmund Breese, Leonid Kinskey, Charles Middleton, Edgar Kennedy